BU ER不二

BU ER不二

Hand-drawn digital painting · ink · wabi-sabi

Clumsy lines, torn paper, handwriting that argues with the picture.Horses, flowers, children, a Buddha under dust.


Selected Works

Painted on a pressure-sensitive screen. Nothing about them is smooth.

Digital Editions

Each painting is issued once, in a small signed edition. Then it is done.

A limited digital edition is the painting itself, at print quality — delivered as a 300 dpi file, ready to print and frame.

Every edition is numbered, hand-signed by the artist, and accompanied by a certificate. When the edition sells out, the file is retired. No reprints, ever.

Two ways to own it: the file, or a print made, signed and posted by the studio. The $49 file price is a launch price for the first 10 editions; it returns to $78 after that.

Horse
Horse40 × 30 cm
Edition of 20 — $78 $49 Acquire the file
Signed print — $168 Order the print
Own Spring
Own Spring60 × 30 cm
Edition of 20 — $78 $49 Acquire the file
Signed print — $168 Order the print
No Pretense
No Pretense30 × 40 cm
Edition of 20 — $78 $49 Acquire the file
Signed print — $168 Order the print

All editions →


About

不二

Bu Er (bù èr — “not two”) is the name Jing Dawei paints under. He lives in Shenzhen. From rice paper to a pressure-sensitive screen: the tool changed, nothing of the temperament was lost.

The name carries two meanings. In Buddhism, the gate of non-duality means refusing to take sides — neither refined nor vulgar, neither new nor old. The second meaning is his own: not two, so there is no second one. A painting has to be the only one of its kind.

What he makes is hand-drawn digital painting. Every stroke is drawn by hand on the screen — no photograph underneath, no filter, no AI-generated image. The screen is simply another kind of paper.

Lines go crooked, one stroke at a time. Colour is laid down in layer after layer. What should be erased is erased; what should be added is added. Each painting carries an inscription written in his own hand — usually a joke, sometimes a prayer — and a vermilion seal stamped where the eye least expects it.

He is not interested in decoration. A painting has to say one thing, and it has to say it without disguise.


Contact

For editions, originals, commissions, exhibitions or press:

434640020@qq.com
Studio: Shenzhen, China · Replies in English or Chinese